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	<title>ar-chi-tect.org &#187; architect</title>
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	<link>http://ar-chi-tect.org</link>
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		<title>Who (Really) Needs an Architect?</title>
		<link>http://ar-chi-tect.org/2008/05/who-really-needs-an-architect/</link>
		<comments>http://ar-chi-tect.org/2008/05/who-really-needs-an-architect/#comments</comments>
		<pubDate>Thu, 15 May 2008 07:14:10 +0000</pubDate>
		<dc:creator>Prananda Navitas</dc:creator>
				<category><![CDATA[Moral Responsibility]]></category>
		<category><![CDATA[architect]]></category>

		<guid isPermaLink="false">http://ar-chi-tect.org/who-really-needs-an-architect/</guid>
		<description><![CDATA[I wrote this article casually as the idea popped into my head during a very casual talk with a former college mate of mine.

No, this article does not mean that I am unemployed and in desperate need of a job. The title simply tries to convey the question of: &#8220;who in society really needs an architect&#8217;s services?&#8221; Some of you might answer &#8220;high-paying clients, of course!&#8221;, others might be less picky and accept any job opportunity that comes along. Sure, architects are human too (are we not?), and therefore we ...]]></description>
			<content:encoded><![CDATA[<p class="MsoNormal" style="text-align: justify"><span style="font-size: 10pt; font-family: Arial">I wrote this article casually as the idea popped into my head during a very casual talk with a former college mate of mine.<u1:p></u1:p><o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify"><span style="font-size: 10pt; font-family: Arial"><br />
No, this article does not mean that I am unemployed and in desperate need of a job. The title simply tries to convey the question of: &#8220;who in society really needs an <a href="http://ar-chi-tect.org">architect</a>&#8217;s services?&#8221; Some of you might answer &#8220;high-paying clients, of course!&#8221;, others might be less picky and accept any job opportunity that comes along.</span><span id="more-176"></span><span style="font-size: 10pt; font-family: Arial"> Sure, architects are human too (are we not?), and therefore we are always in the need of materialistic fulfilling (tell me if we don&#8217;t! Food on our tables, clothes on our backs, and roofs over our heads&#8230;face it, we need them!) However, if we really think about it, then the only people who can feed us are those who are able to afford our services. So, what about those who can&#8217;t afford us?</span></p>
<p class="MsoNormal" style="text-align: justify"><img src="http://ar-chi-tect.org/wp-content/uploads/2008/05/who_needs_architect.jpg" alt="who_needs_architect.jpg" /><span style="font-size: 10pt; font-family: Arial">Returning to the basic definition of what an architect is; a master builder is what an architect is to some (even in Chinese the word used to describe architects literally means master builder! ??? jianzhushi &#8211; jian: build/construct, zhu: build/construct, shi: master), and some dude/dudette who draws houses for a living to others. People can call us whatever they want, and we as architects, can also come up with our own ideas about what an architect is supposed to be. We&#8217;re basically people who (supposedly) know how to build properly. What does that mean? It means that we are supposed to be able to create something that works properly according to its needs and function(s). A house, for example, is a dwelling place. Therefore the house should house its inhabitants, fulfilling their physical and emotional needs to the fullest. An office block should be able to encourage a safe and comfortable environment for people who conduct their activities there. The list can go on and on endlessly, and you&#8217;ll all fall asleep by the time you reach halfway through the list!) So I presume that everyone knows what I mean by now. A good architect knows how to optimize every inch of space that have been given to them to toy around with. A bad architect (like me) can&#8217;t really do so, resulting in poor quality designs (and in the end become critics on how good design is supposed to be like &#8211; this is so me!) Notice how I put up space as the parameter to a good design? That&#8217;s because aesthetics is a very difficult parameter to measure (beauty is in the eye of the beholder or beauty is a relative thing, but ugliness is obvious!). Another reasons why I chose space as parameter to determine whether a design is good or not, is because space has a direct impact on users. Find it hard to comprehend? Well I wrote this article on my 9300 (with its mini-qwerty-keypad) instead of my notebook (because I&#8217;m trying to import some files), while my hands are the size of a bear&#8217;s paw! Small workspace+gigantic paws=a lot of pain! The importance of space in this issue is obvious; it determines the degree of comfort and pleasure.<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify"><span style="font-size: 10pt; font-family: Arial">Jumping back to the question at hand; Who needs an architect&#8217;s services? The rich who are able to afford our services will always be able to enjoy good design (great design even!). Where as the less fortunate will never be able to enjoy even the lowest quality design, since they don&#8217;t have the luxury to use our services. Wait a bit; why does it seem like I&#8217;m stereotyping us (architects) as expensive creatures? Because most people (in </span><st1:country-region><st1:place><span style="font-size: 10pt; font-family: Arial">Indonesia</span></st1:place></st1:country-region><span style="font-size: 10pt; font-family: Arial">) think of us as expensive service providers that only the rich can afford! Another reason is that most people tend to think that it&#8217;s a waste of resources to use an architect to design (their) homes, and that everyone is an expert when it comes to building a house. Well, nobody is! Not even us architects! (Face it, we&#8217;re not God&#8230;we&#8217;re just playing God!) So what does it have to do with space and everything? What is my point? Allow me to take the house as an example as it&#8217;s something that we are all (naturally, very) familiar with. The point is, that a well designed house can guarantee the health and comfort of its inhabitants. Why so? Air circulation and sufficient natural lighting is a couple of reasons that I had in mind when I wrote this article. If a house is well designed, then it should perform well as climate modifier regardless of the size of the land it stands on. Failure to circulate air properly, will result in bad indoor air quality, ultimately putting the inhabitants in the risk of catching a disease. That would lead then to less productivity. Remember how our PE teachers used to tell us &#8220;Within a healthy body lies a healthy soul.&#8221;? This is kind of like that; &#8220;within a healthy house lives a healthy family&#8221;. So, if an architect&#8217;s duty is to manipulate space in such a way that the space becomes fit to contain activities, then certainly everyone has the right to have the luxury of our services, not just the rich and famous.<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify"><span style="font-size: 10pt; font-family: Arial">If this article is a bit difficult to understand, please feel free to send me an email through p_navitas@yahoo.com, we can discuss/argue there hehehe&#8230;.<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify"><span style="font-size: 10pt; font-family: Arial">Save our nation! </span></p>
<p class="MsoNormal" style="text-align: justify"><span style="font-size: 10pt; font-family: Arial">related article: <a href="http://ar-chi-tect.org/architect-job-description/">http://ar-chi-tect.org/architect-job-description</a></span></p>
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		<title>Kenzo Tange and His High-Tech Masterpieces</title>
		<link>http://ar-chi-tect.org/2008/01/kenzo-tange-and-his-high-tech-masterpieces/</link>
		<comments>http://ar-chi-tect.org/2008/01/kenzo-tange-and-his-high-tech-masterpieces/#comments</comments>
		<pubDate>Sun, 13 Jan 2008 17:22:35 +0000</pubDate>
		<dc:creator>Andie Wicaksono</dc:creator>
				<category><![CDATA[maestro architects]]></category>
		<category><![CDATA[architect]]></category>
		<category><![CDATA[High Tech]]></category>
		<category><![CDATA[Kenzo Tange]]></category>

		<guid isPermaLink="false">http://ar-chi-tect.org/kenzo-tange-and-his-high-tech-masterpieces/</guid>
		<description><![CDATA[Professor Kenzo Tange was a Japanese maestro architect, famous by his impressive modern-structural masterpieces (later known by name “High-Tech” modern style). High Tech is architecture design style that exposed the building construction&#8217;s structures as a part of the design aesthetic. Tange’s works including the Hiroshima Peace Memorial Park (1st place in design competition), Summer Olympics stadium complex in Tokyo, which the design is like a stringray fish form (Pritzker Prize citation as &#8220;among the most beautiful buildings of the 20th century&#8221;), Tokyo Cathedral of Saint Mary, and Tokyo Master Plan, ...]]></description>
			<content:encoded><![CDATA[<p class="MsoNormal" style="text-align: justify"><a href="http://ar-chi-tect.org/wp-content/uploads/2008/01/kenzotangedesign.jpg" title="kenzotangedesign.jpg"><img src="http://ar-chi-tect.org/wp-content/uploads/2008/01/kenzotangedesign.jpg" alt="kenzotangedesign.jpg" /></a><a href="http://ar-chi-tect.org/wp-content/uploads/2008/01/kenzo_tange1.jpg" title="kenzo_tange.jpg"><img src="http://ar-chi-tect.org/wp-content/uploads/2008/01/kenzo_tange1.jpg" alt="kenzo_tange.jpg" height="155" width="141" /></a><span style="font-size: 10pt; font-family: Arial">Professor Kenzo Tange </span><span style="font-size: 10pt; font-family: Arial">was a Japanese <a href="http://ar-chi-tect.org/category/maestro-architect/">maestro architect</a>, famous by his impressive modern-structural masterpieces (later known by name “High-Tech” modern style). High Tech is architecture design style that exposed the <a href="http://ar-chi-tect.org/category/building-constructions/">building construction</a>&#8217;s structures as a part of the design aesthetic. Tange’s works including the Hiroshima Peace Memorial Park (1<sup>st</sup> place in design competition), Summer Olympics stadium complex in Tokyo, which the design is like a stringray fish form (Pritzker Prize citation as &#8220;among the most beautiful buildings of the 20th century&#8221;), Tokyo Cathedral of Saint Mary, and Tokyo Master Plan, which concept to re designed the Tokyo city, OUB Center, OUB Plaza in Singapore, also master plan to re-designed the Plaza Place d’Italie, in </span><span id="more-129"></span><span style="font-size: 10pt; font-family: Arial">France. Even though many of his buildings adjoined with a lot of steels and metals structures, as a structure maestro, Tange’s philosophy was always tried to create the relationship between human and technological elements. Kenzo Tange’s motto was he didn’t want to repeat what he has done.</span></p>
<p class="MsoNormal" style="text-align: justify"><span style="font-size: 10pt; font-family: Arial"><o:p> </o:p></span></p>
<p class="MsoNormal" style="text-align: justify"><span style="font-size: 10pt; font-family: Arial">After finished his graduate in architecture degree in <a href="http://www.ee.t.u-tokyo.ac.jp" target="_blank">department of engineering</a>, </span><a href="http://www.u-tokyo.ac.jp" target="_blank"><st1:place><st1:placetype><span style="font-size: 10pt; font-family: Arial">University</span></st1:placetype><span style="font-size: 10pt; font-family: Arial"> of </span><st1:placename><span style="font-size: 10pt; font-family: Arial">Tokyo</span></st1:placename></st1:place></a><span style="font-size: 10pt; font-family: Arial">, Tange worked at the studio of kunio Maekawa. Tange was inspired by many of Le Corbusier’s style and concept of building designs. He attended post graduate at </span><st1:place><st1:placetype><span style="font-size: 10pt; font-family: Arial">University</span></st1:placetype><span style="font-size: 10pt; font-family: Arial"> of </span><st1:placename><span style="font-size: 10pt; font-family: Arial">Tokyo</span></st1:placename></st1:place><span style="font-size: 10pt; font-family: Arial"> 1941. Tange later became professor in 1963. Many of his pupils later became great architects also, like Sachio Otani, Kisho Kurokawa, Arata Isozaki, and Fumihiko Maki. Kenzo Tange received several achievements and architecture awards such as AIA Gold Medal in 1966, the Order of Culture in 1980, and the order of the Sacred Treasures in 1994.  Article copyright © <a href="http://ar-chi-tect.org">ar-chi-tect.org</a>, edited from wiki, </span><span style="font-size: 10pt; font-family: Arial"><a href="http://www.tangeweb.com" target="_blank">http://www.tangeweb.com</a> and other related sources.<o:p></o:p></span></p>
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		<title>YB Mangunwijaya , Wastu Citra and Kali Code</title>
		<link>http://ar-chi-tect.org/2007/12/indonesian-architect-maestro-yb-mangunwija/</link>
		<comments>http://ar-chi-tect.org/2007/12/indonesian-architect-maestro-yb-mangunwija/#comments</comments>
		<pubDate>Sat, 29 Dec 2007 18:33:22 +0000</pubDate>
		<dc:creator>Anindita Dini</dc:creator>
				<category><![CDATA[architecture books]]></category>
		<category><![CDATA[maestro architects]]></category>
		<category><![CDATA[sustainable architecture]]></category>
		<category><![CDATA[architect]]></category>
		<category><![CDATA[indonesian]]></category>
		<category><![CDATA[kali code]]></category>
		<category><![CDATA[mangunwijaya]]></category>
		<category><![CDATA[wastu citra]]></category>

		<guid isPermaLink="false">http://ar-chi-tect.org/archives/41</guid>
		<description><![CDATA[Yusuf Biliarta Mangunwijaya, known as Romo Mangun, born in Ambarawa, 6th of May 1929, is one of Indonesian maestro architect, an author, also a religious Catholic leader. He got his educational background from Seminari Menengah Kotabaru, Yogyakarta (1951), Seminari Menengah Santo Petrus Kanisius, Mertoyudan, Magelang (1952), Filsafat Teologi Sancti Pauli, Kotabaru, Yogyakarta (1953-1959), Teknik Arsitektur, ITB, Bandung (1959), Rheinisch Westfaelische Technische Hochschule, Aachen, Jerman (1960-1966), Fellow Aspen Institute for Humanistic Studies, Colorado, AS (1978). He was known  as a social and humble person, he created the Kali Code (code ...]]></description>
			<content:encoded><![CDATA[<p class="MsoNormal" style="text-align: justify"><a href="http://ar-chi-tect.org/wp-content/uploads/2007/12/romomangun1.jpg" title="romomangun.jpg"><img src="http://ar-chi-tect.org/wp-content/uploads/2007/12/romomangun1.jpg" alt="romomangun.jpg" /></a><a href="http://ar-chi-tect.org/wp-content/uploads/2007/12/kalicode1.jpg" title="kalicode.jpg"><img src="http://ar-chi-tect.org/wp-content/uploads/2007/12/kalicode1.jpg" alt="kalicode.jpg" /></a><span style="font-size: 11pt; font-family: Arial">Yusuf Biliarta Mangunwijaya, known as Romo Mangun, born in Ambarawa, 6th of May 1929, is one of Indonesian maestro architect, an author, also a </span><span style="font-size: 11pt; font-family: Arial">religious </span><span style="font-size: 11pt; font-family: Arial">Catholic leader. He got his educational background from Seminari Menengah Kotabaru, Yogyakarta (1951), Seminari Menengah Santo Petrus Kanisius, Mertoyudan, Magelang (1952), Filsafat Teologi Sancti Pauli, Kotabaru, Yogyakarta (1953-1959), <a href="http://www.ar.itb.ac.id" target="_blank">Teknik Arsitektur, ITB</a>, </span><span id="more-52"></span><span style="font-size: 11pt; font-family: Arial">Bandung (1959), Rheinisch Westfaelische Technische Hochschule, Aachen, Jerman (1960-1966), Fellow Aspen Institute for Humanistic Studies, Colorado, AS (1978). He was known  as a social and humble person, he created the Kali Code (code River) community settlement and rearrange them to be artistic village. Romo Mangun got the Aga Khan Award for Architecture for this contribution. Mangunwijaya related works also included with Sendangsono Pray Area, and he also gained IAI Awards for that project. He also wrote several literatures, books, and one of them is the most famous one, <strong>Wastu Citra</strong>, 1998. source writes © <a href="http://ar-chi-tect.org/">ar-chi-tect.org</a> , Edited from related literatures.<o:p></o:p></span></p>
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		<title>Alvar Aalto, Architect and the Glassware Designer</title>
		<link>http://ar-chi-tect.org/2007/12/alvar-aalto-architect-and-the-glassware-designer/</link>
		<comments>http://ar-chi-tect.org/2007/12/alvar-aalto-architect-and-the-glassware-designer/#comments</comments>
		<pubDate>Sat, 29 Dec 2007 17:03:37 +0000</pubDate>
		<dc:creator>Andie Wicaksono</dc:creator>
				<category><![CDATA[maestro architects]]></category>
		<category><![CDATA[architect]]></category>
		<category><![CDATA[designer]]></category>
		<category><![CDATA[maestro]]></category>

		<guid isPermaLink="false">http://ar-chi-tect.org/archives/37</guid>
		<description><![CDATA[Alvar Aalto&#8217;s wide field of activity ranged from furniture and glassware designs to architecture and painting. His vase designs are world-famous. He invented a new form of laminated bent-plywood furniture in 1932. Aalto furniture is manufactured by Artek, a company Aalto co-founded with his wife Aino Aalto, Maire Gullichsen (Ahlström — Gullichsen family) and Nils-Gustav Hahl. Aalto glassware (Aino as well as Alvar) is manufactured by Iittala. Aalto&#8217;s career spans the changes in style from pre-modernism (Nordic Classicism) to purist International Style Modernism to a more synthetic and idiosyncratic approach.
Hugo ...]]></description>
			<content:encoded><![CDATA[<p class="MsoNormal" style="text-align: justify"><a href="http://ar-chi-tect.org/wp-content/uploads/2007/12/alvaralto2.jpg" title="alvaralto.jpg"><img src="http://ar-chi-tect.org/wp-content/uploads/2007/12/alvaralto2.jpg" alt="alvaralto.jpg" /></a><a href="http://ar-chi-tect.org/wp-content/uploads/2007/12/aaltobakerhouse1.jpg" title="aaltobakerhouse.jpg"><img src="http://ar-chi-tect.org/wp-content/uploads/2007/12/aaltobakerhouse1.jpg" alt="aaltobakerhouse.jpg" /></a><span style="font-size: 11pt; font-family: Arial">Alvar Aalto&#8217;s wide field of activity ranged from furniture and glassware designs to architecture and painting. His vase designs are world-famous. He invented a new form of laminated bent-plywood furniture in 1932. Aalto furniture is manufactured by Artek, a company Aalto co-founded with his wife Aino Aalto, Maire Gullichsen </span><span id="more-48"></span><span style="font-size: 11pt; font-family: Arial">(Ahlström — Gullichsen family) and Nils-Gustav Hahl. Aalto glassware (Aino as well as Alvar) is manufactured by Iittala. Aalto&#8217;s career spans the changes in style from pre-modernism (Nordic Classicism) to purist International Style Modernism to a more synthetic and idiosyncratic approach.<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify"><span style="font-size: 11pt; font-family: Arial">Hugo Alvar Henrik Aalto (February 3, 1898 — May 11, 1976) was a Finnish architect and designer, sometimes called the &#8220;Father of Modernism&#8221; in the Nordic countries. His work includes architecture, furniture and glassware.<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify"><span style="font-size: 11pt; font-family: Arial">Alvar Aalto was born in </span><st1:place><st1:city><span style="font-size: 11pt; font-family: Arial">Kuortane</span></st1:city><span style="font-size: 11pt; font-family: Arial">, </span><st1:country-region><span style="font-size: 11pt; font-family: Arial">Finland</span></st1:country-region></st1:place><span style="font-size: 11pt; font-family: Arial">. He studied architecture at the Helsinki University of Technology from 1916 to 1921. He returned to Jyväskylä, where he opened his first architectural office in 1923. The following year he married architect Aino Marsio<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify"><span style="font-size: 11pt; font-family: Arial">Although he is sometimes regarded as among the first and most influential architects of Nordic modernism, a closer examination of the historical facts reveals that Aalto (while a pioneer in Finland) closely followed and had personal contacts with other pioneers in Sweden, in particular Gunnar Asplund and Sven Markelius (edited from wiki, photo © by alvar aalto foundation).<o:p></o:p></span></p>
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